Step into the vineyard with Susan Mallery’s most irresistible novel yet, as one woman searches for the perfect blend of love, family and wine.
Mackenzie Dienes seems to have it all—a beautiful home, close friends and a successful career as an elite winemaker with the family winery. There’s just one problem—it’s not her family, it’s her husband’s. In fact, everything in her life is tied to him—his mother is the closest thing to a mom that she’s ever had, their home is on the family compound, his sister is her best friend. So when she and her husband admit their marriage is over, her pain goes beyond heartbreak. She’s on the brink of losing everything. Her job, her home, her friends and, worst of all, her family.
Staying is an option. She can continue to work at the winery, be friends with her mother-in-law, hug her nieces and nephews—but as an employee, nothing more. Or she can surrender every piece of her heart in order to build a legacy of her own. If she can dare to let go of the life she thought she wanted, she might discover something even more beautiful waiting for her beneath a painted moon.
“Not that what you’re wearing isn’t great, but the party starts in an hour.”
Mackenzie Dienes looked up from the grapevine she’d been studying, her mind still on the tight clusters of small, hard grapes that would, come late September, be ripe and sweet and ready for harvest. Between now and then, she would monitor their progress, willing them to greatness and protecting them from danger, be it mold, weather or hungry deer.
She blinked at the man standing in front of her, tall and familiar, with an easy smile and broad, capable shoulders.
“Party?” she asked, letting her thoughts of the vineyards go and remembering that, yes, indeed, it was the evening of the annual Solstice Party, hosted by the Barcellona family. As she was a Barcellona, by marriage if not by name, she would be expected to attend.
Wanted to attend, she reminded herself. It was always a good time, and Stephanie, her sister-in-law, worked hard to make it a perfect night.
“The party,” she repeated, her voice slightly more panicked this time, then glanced down at herself. “Crap. What time is it?”
Rhys, her husband, shook his head. “You really don’t listen when I talk, do you? We have an hour. You’ll be fine.”
She pulled off her gloves and shoved them into the left front pocket of her coveralls, then stepped behind Rhys and gave him a little push toward the flatbed truck he’d driven out to the west vineyards.
“You say that because all you have to do is shower and get dressed. I have to do the girl thing.”
“Which takes you maybe ten minutes.” He put his arm around her as they hurried toward the truck. “Happy with the grapes?”
“I think so,” she said, glancing toward the healthy vines growing on either side of them. “We might have to do some thinning in a couple of weeks, but so far, so good.”
As they slid onto the bench seat of the old truck, he glanced at her. She smiled, knowing there was a fifty-fifty chance he would call her out on her thinning statement. He was, after all, the vineyard manager. Technically all the decisions about the vineyard were made by him with her input, but not her instruction. As winemaker, she managed the grapes from the moment they were picked until the wine was bottled.
But at Bel Après, areas of responsibility often overlapped. Theirs was a large, boisterous family in which everyone had opinions. Not that Mackenzie listened to a lot of other ideas when it came to her wines, although as Rhys often pointed out, she was very free offering hers when it came to his work.
He drove along the dirt path that circled the vineyard, stopping by her truck. She slid into the cab, then followed him back to the family compound. The main road leading into Walla Walla was thick with tourists who wanted to enjoy the longest day of the year. She merged into the slow-moving traffic, doing her best to keep from glancing at the clock on the truck’s dashboard as she inched along.
Vineyards stretched out on either side of the road, flat on the left and rising toward the hills on the right. Bright green leaves topped sturdy trunks that had been carefully trained to grow exactly as she wanted them to. The rows were long and neat, and the spaces between them were filled with native grasses that held in moisture and protected the roots from the heat.
Looking at her healthy crop kept her mind off the fact that she and Rhys were going to be desperately late.
Twenty minutes later, she followed him off the highway onto a less crowded secondary road—a back way home. Five minutes after that, they parked the trucks by the processing buildings behind the big tasting room. Rhys had already claimed one of the golf carts the family used to get around. She slid in next to him and they took off toward the center of the property.
Bel Après Winery and the surrounding land had been in the Barcellona family for nearly sixty years. Rhys and his siblings were third-generation. The original main house had been updated several times. When Rhys and Mackenzie had married, Barbara, Rhys’s mother, had suggested they build themselves a house close to hers, rather than commute from town. Eager to stay in the good graces of her new mother-in-law, Mackenzie had agreed.
A large two-story home had been built. Barbara and Mackenzie had decorated every room, the act of choosing everything from light fixtures to doorknobs cementing their affection for each other.
A few years later, Stephanie, the second of Barbara’s four children, had gotten a divorce and moved back home with her two kids, requiring another house to be constructed. When the youngest of the three girls had married, the last house had been added. Only Lori, the middle daughter, still lived in the original home.
All four houses faced a huge central courtyard. Mexican pavers were shaded by vine-covered pergolas. The extended family used the space for big dinners and as a kids’ play area. If one of the women baked cookies, a cookie flag was hung out the front door, inviting anyone to stop by. At Christmas, a large tree was brought in from Wishing Tree, and for the annual Summer Solstice Party, dozens of long tables were brought in to seat the two hundred or so guests.
Rhys swung the golf cart behind the large main house, circling counterclockwise. Normally he would cut across the courtyard, but with all the party preparations, he had to go the long way. He pulled up at the rear entrance to their house and they dashed inside.
Mackenzie paused to unlace her boots and left them in the mudroom. Rhys did the same. They raced up the stairs together, separating at the landing to head to their individual en suite bedrooms.
Once in her bathroom, she started the shower. Thankfully, she’d already picked out the dress she would wear. She raced through a shower. After she dried off, she wrapped her hair in a towel and dug out the scented body lotion Rhys had given her a couple of years ago. Why anyone would want to smell like coconut and vanilla was beyond her, but he liked it.
She walked into the large closet and opened her underwear drawer. To the right were all the sensible bikini panties she usually wore—to the left were the fancier ones for special occasions. She chose a black pair and slipped them on, then went to the second drawer and looked for the matching push-up bra. When it and the pads were in place and doing the best they could with her modest curves, she pulled on a robe and returned to the bathroom.
After plugging in her hot rollers, it took her only a few minutes to apply eyeliner and mascara. She was flushed from the day working outside, so she didn’t bother with any other makeup.
Her hair took a lot longer. First she had to dry the dark red shoulder-length waves, then she had to curl them. While the rollers were in place, she searched for a pair of black high-heel sandals that wouldn’t leave her crippled by the end of the night.
Those found, she opened her small jewelry box and pulled out her wedding set, sliding both the engagement ring and the wedding band into place on her left hand. Diamond stud earrings followed. She’d barely stepped into her sleeveless black dress when Rhys walked into the closet, fully dressed in black slacks and a dark gray shirt.
She sighed when she saw him. “See. You have it so much easier than me.”
“Yes, but in the end, you’re more beautiful. That should be worth something.”
“I’d rather have the extra time.”
She turned, presenting him with her back. He pulled up the zipper, then bent to collect her shoes. They retreated to her bathroom and together began removing the curlers.
“We’re late,” Mackenzie said, catching sight of his watch. “Your mom is going to be all snippy.”
“She’ll be too busy welcoming her guests.” The last of the curlers was flung onto the counter. Mackenzie fluffed her hair, then pointed to the bedroom.
“Retreat,” she said, reaching for the can of hair spray.
Rhys ducked to safety. She sprayed the curls into submission before running into the bedroom to escape the death cloud. Rhys was on the bench at the foot of the large bed. She sat next to him and quickly put on her shoes.
“Done,” she said, pausing to reacquaint herself with the seldom-used skill of walking in heels.
She grabbed her husband’s wrist. “Seven fifteen. Barbara’s going to kill us.”
“She’s not. I’m her only son and you’re just plain her favorite.”
“We weren’t ready exactly at seven. I can already hear the death-march music in my head. I want to be buried on Red Mountain.”
Rhys chuckled as he led the way downstairs. “In the vineyard? I’m not sure your decaying body is going to be considered organic.”
“Are you saying I’m toxic?” she asked with a laugh as they walked toward the front door.
“I’m saying you’re wonderful and I’d like us to have a good night.”
There was something in his tone, she thought, meeting his gaze. She’d known this man her entire adult life. They’d met over Christmas her freshman year of college. Her roommate, his sister Stephanie, had dragged Mackenzie home to meet the family. Grateful not to have to spend the holiday by herself, Mackenzie had gone willingly and had quickly found herself falling not only for her best friend’s hunky older brother but for the entire Barcellona family and the vineyards they owned. Barbara had been like a surrogate mother, and the vineyards, well, they had been just as magical as Rhys’s sexy kisses.
Now she studied her husband’s expression, seeing the hint of sadness lurking behind his easy smile. She saw it because she hid the same emotion deep inside herself. The days of stealing away for sexy kisses were long gone. There were no lingering looks, no intimacy. They had a routine and a life, but she was less sure about them still having a marriage.
“I’d like that, too,” she murmured, knowing he wasn’t asking them not to fight. They never did. Harsh words required a level of involvement they simply didn’t have anymore.
“Then let’s make that happen,” he said lightly, taking her hand in his and opening the front door.
Q and A with Susan Mallery on The Vineyard at Painted Moon
Where did inspiration for the book come from?
The Vineyard at Painted Moon was really inspired by the gorgeous wine country of Washington State. My readers have told me that they love when my books have wish-you-were-there settings, like the tulip farms in Secrets of the Tulip Sisters and the monastery-turned-mansion of The Summer of Sunshine and Margot. So I knew I wanted to set my next hardcover somewhere that would give readers a beautiful, scenic escape—and this was well before I knew the book would come out during a pandemic, when we’re all trapped at home a lot more than usual.
So I started daydreaming about beautiful settings, and I landed on Washington wine country. Breathtaking. Seriously, look it up.
Every evening before dinner, Mr. Mallery and I have a glass of wine together and tell one another about our day. This daily ritual makes us feel close and connected even when life gets hectic, and it has led us to learn more about how wine is made. I thought it could be really interesting to write about a female winemaker, because this is still very much a male-dominated field. I asked myself, “What is the worst thing that could happen to a winemaker?”
“What if,” I thought, “she lost the land she loved?”
And not because of fire or natural disaster, but because of an emotional earthquake—Mackenzie Dienes is the winemaker at a family winery. But it’s her husband’s family. . . and their marriage is in trouble. She could stay if she’s willing to be nothing more than an employee for the rest of her life. But if she wants something more, something of her own, she’ll have to be brave.
The Vineyard at Painted Moon is the story of Mackenzie’s search for happiness and self-fulfillment after divorce. With some pretty spectacular scenery thrown in. Oh, and wine. Lots and lots of wine.
What are your favourite scenes? Why?
This is a tricky question for me to answer without spoilers, because my favorite scenes are the emotional turning points of the story. I don’t really want to reveal them here, as I think readers will want to experience them on their own. I will answer, but it’s going to be vague and somewhat frustrating. Teasers, rather than spoilers.
I love the scene where Mackenzie and Rhys realize that their marriage is over. (That doesn’t count as a spoiler, since it’s revealed on the back cover of the book.) The way they come to the realization and move through the scene is completely unexpected and unlike any breakup scene I’ve ever written—or read, for that matter. It’s heartbreaking and poignant and beautiful and even a little funny. If you have a heart, it’ll make you cry. I think readers are going to fall in love with Rhys even as Mackenzie is accepting that she’s not in love with him anymore.
One of my other favorite scenes is one that I’m not sure will stand out as much in readers’ minds. It’s a scene in which Mackenzie finds out just how highly she is esteemed by her colleagues in the wine world. She never knew. She never thought of working anywhere but the family winery—she was just so grateful to have a family through her husband, since she had none of her own. In this scene, nothing really changes but her perception—of herself, and of how people perceive her—but perception is reality. Suddenly, Mackenzie realizes that she has options. She can dare to dream.
And that changes everything.
- What was the hardest scene to write and why?
At the risk of repeating myself, that scene in which Mackenzie and Rhys finally acknowledge that their marriage is over was certainly one of the hardest to write. The emotional intricacies of the situation were incredibly nuanced. I had to get it exactly right. Rhys is not a point-of-view character, so the whole scene is told from Mackenzie’s perspective, but I wanted the reader to understand and empathize with Rhys, as well. It’s a deeply emotional scene, and I’m very curious to see how readers will respond to it.
- Do you have advice for me wanting to write in the same genre?
Never give up. There are a lot of very talented writers who will never be published simply because they gave up trying. You never know if the next book will be the one. You have to want it enough to keep going.
- Where did the idea for the title come from? It’s so original.
Thank you! I almost never come up with the titles for my own books. My file names are just the first name of the main character, so the working title on this book was Mackenzie. When it’s time to title the book, the whole team makes suggestions—my editor, agent, assistant, the marketing department. It’s trickier now than it’s ever been because I’ve written a lot of books, and we don’t want the titles to be too similar. And yet they have to appeal to the same audience.
All that said, I was the one to suggest The Vineyard at Painted Moon. I thought it would be appropriate to feature the beautiful setting in the title, since it plays such an important role in the book. I’m glad you like it!
Who is your favorite character and why?
I love Stephanie and Four, Rhys’s sisters and Mackenzie’s best friends. They’re the kind of friend that every woman should have—and that every woman should be. Close female friendships are a hallmark of my books. In The Vineyard at Painted Moon, the friendships were especially complex because they were also sisters-in-law. . . soon to be exes. But at the end of the day, this truly is Mackenzie’s story, so she would be the favorite.
What is your favorite book genre to read?
For the most part, I read what I write—women’s fiction and romance. I’m not into thrillers or anything that involves violence and murder. I’m much more interested in emotional drama, in the inherent conflict between people who want different things.